Music was composed by Devi Sri Prasad and all lyrics were penned by Sirivennela Seetaaraama Saastry. The movie ends with Venkat and Sailaja reuniting.
Suddenly, Bhadranna regains consciousness but dies when a statue covered in fire collapses on him. After the fight, Venkat defeats Bhadranna and embraces Sailaja and Venkat's friends. During the festival, Bhadranna stabs Venkat but is stopped by his uncle Sivayya. Bhadranna is coming back from Hyderabad to destroy Venkat and marry Sailaja. That night, Bhadranna kills his brother Kaasi for not bringing Sailaja. They reconcile happily, and both start loving again.
Gradually, Sailaja learns that she misunderstood Venkat and apologizes. Venkat agrees and fights with Bhadranna for Sailaja. Seenayya gets tensed as the shooting was paused, and Ranga Rao advises him to approach Venkat, as he believes that Venkat still loves Sailaja. Months later, Bhadranna is cheated of some money by Ranga Rao, and he finds out where Sailaja now lives, kidnaps her, and tries to change her mind about marrying him. In Vizag, Sailaja becomes a leading lady in the movies, and Venkat works with his uncle in a quarry as a demolition expert. Venkat also leaves for Vizag to his uncle's place. He first successfully creates clashes between lovers, convinces Sailaja to act in a movie, and leaves with her to the city. Ranga Rao thinks that acting in films would be more lucrative than marrying her off to Bhadranna. Later, a film producer Seenayya approaches Ranga Rao with an offer for Sailaja to act in a movie. Bhadranna approaches him with the marriage proposal, and Ranga Rao jumps on that and agrees. Ranga Rao, Sailaja's father, is a typical black sheep with many bad habits. Venkat keeps bumping into Sailaja every time it rains, and they fall in love. At the same time, Sailaja catches the eye of Bhadranna, a dangerous, ruthless politician who also fell in love with her. Varsham may be all too familiar as the sobby, family drama we had left behind but there is something in there to take away with you.Venkat, an unemployed youngster, meets Sailaja, a middle-class beauty, on a train journey, and they are immediately attracted to each other after dancing in a rain shower. The story also gives time to taking down private finance companies as a business model that even now in the age of sophisticated banking has a vicious grip on a large section of people. They come with a proficient supporting cast - TG Ravi, the antagonist, petty neighbours Sajitha Madathil and Sunil Sukhada, and Karamana Sudheer as a strong, opinionated priest reminds you so much of his own father in a cassock, it takes us back to Spadikam (1995). And if crying is a defining challenge for any actor, she accomplishes till you are crying with her. Asha Sarath cries a lot, great big heart rending sobs, lumps in her throat that she has to swallow, sad sniffling, she has lost her son and now her husband is also slipping and he refuses to take her hand. He is selfish and self-centered and his transformation was real and paced convincingly. In performance Mammooty has done well for himself. It is this tremendous loss that sends them spinning before it takes them on a trajectory of realisation after realisation.Nandini finds greater purpose and develops the need individual well-being, besides the husband and mourning. The family loses their bearing and Venu is distraught, on the verge of losing the plot when he sees a light and clings on to it for dear life and scrambles out of the grave he is trying to bury himself in. And for this Anand has to die, in a freak cardiac arrest. He attacks parents who are unable to see beyond the children and the class and school level achievements. What Ranjith has done is to use a dated scheme to call Malayali parents out on this rush to make their kids the alpha child of the pack. He sings, dances, does karate, and has just been enrolled in swimming lessons, all so that his smug parents can gloat some more about their over achieving son. Above this family of some seriously flawed characters rises Anand the adolescent son of Venu and Nandini who is a far better person than his parents and neighbourhood around him. And Nandini complains because she is well fed and looked after and frankly very bored. In the first half we see that Venu is parsimonious with money, although he does make a lot of it with his nifty, twisty, cut-throat business. In Varsham, he casts Mammooty in the lead role as Venu who runs a finance company, 'blade company' in Malayalam parlance and provides a comfortable life for his wife Nandini (Asha Sarath), his son Anand (Master Nabeesh), and their dog, Jimmy. There is no guaranteeing what you are going to get, for he broke the industry mould with his debut, Passenger, but then he also did slip down a slippery slope with Arjunan Sakshi and Molly Aunty Rocks.
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